Mark Nash
	Lives and works in London. Co-Curator Documenta11. Senior Lecturer in Film History and Theory, School of Art and Theory, University of East London, London.
	Education Les Entrepreneurs de L´Audiovisuel Européen (EAVE), Brussels, Postgraduate Diploma in Filmproduction,1989. University College London, Postgraduate Diploma in Film Studies, 1976. Cambridge University. Master of Arts 1975. Christ´s College, Cambridge University. Bachelor of Arts, 1970.
	Professional Experience 1997-98 Associate, Department of Afro-American Studies, Harvard University, Cambridge, Massachusetts. 1996-97 Project Leader, British Film Institute, London. Visiting Scholar, Centre for Media Culture and History, New York University. 1995-96 Visiting Scholar, Department of Cinema Studies, New York University. 1995 Visiting Professor, University of California, Santa Cruz. 1988-90 Co-editor of The Independent, New York. 1985-86 Member of the British Film Institute (BFI), Regional Consultive Committee. 1981-93 Visiting Scholar, Central St. Martin´s School of Art, London. 1978-81 Editor of the Magazine Screen, Society for Education in Film and Television, London. 1973-81 Member of the Society for Education in Film and Television, London.
	Curatorial works 2001 The Short Century: Independence and Liberation Movements in Africa 1945-1994. Artistic Director: Okwui Enwezor. Villa Stuck, Munich; Berlin; Chicago; New York. Co-curator film. My Generation, London. Curator (with Alexandre Pollazon). 2000 Force Fields. Phases of the Kinetic. Curator: Guy Brett. Macba, Barcelona; Hayward Gallery, London. Co-curator film. 1986 Acting Tapes. A series of films supporting the Channel 4 Screening. British Independent Video. Bracknell Video Festival. 1983 American Video. 4 programmes selected und introduced by Mark Nash, an Arts Council of Great Britain Video Programme (re-shown at the New Serpentine Gallery Bookshop, London 1996). 1977-89 National Film Theatre, London. Screening of Recent Portuguese Cinema, 1989; Acting in Cinema, 1986; Joan of Arc, 1986 A Screen Season, 1979; Carl Th. Dreyer, 1978; Joris Ivens, 1977. 1975-81 London Film-Makers Coop, various programmes.
	1996 Frantz Fanon: Black Skin White Mask (docu-fiction, 35 mm, 70 min. film version; New York, Paris, Berlin, Sundance and other festivals). Co-writer and Producer. 1995 Frantz Fanon: Black Skin White Mask (docu-fiction, TX series, BBC TV, 50 min version). Co-writer and Producer. 1994 PostCards from America (fiction feature; Director: Steve McLean, Producer: Christine Vachon. Berlin Forum and other festivals). Executive Producer. 1992 The Attendant (fiction short for Channel 4 TV; Director: Isaac Julien. Berlin and other festivals). Producer. Between Two Worlds (Short Film for BFI. Edinburgh, San Francisco, Berlin and Milan Gay and Lesbian Film Festivals). Writer and Director. 1988 Looking for Langston (fiction short for Channel 4 TV. Director: Isaac Julien). Research for the American Production. 1984 Acting Tapes (documentary series for Channel 4 TV). Director and Producer.
	Publications (Selection) African Cinema - history, memory, production. Catalogue essay. In: Short Century Prestel, Munich 2001. Frantz Fanon, Critical Genealogies. Ed with Françoise Vergès and Isaac Julien. Duke University Press 2001. The Art of Movement. Catalogue essay. In: Force Fields. Phases of the Kinetic. London/Barcelona 2000. Frantz Fanon as Film. With Isaac Julien. In: The Film Art of Isaac Julien, Bard Centre for Curatorial Studies, New York 2000; Nka: Journal of Contemporary African Art, Nr. 11/12, Fall/Winter 2000. Only Angels Have Wings. Catalogue essay with Isaac Julien. In: Tracey Moffatt, Dia Center for the Arts, New York 1998; The Film Art of Isaac Julien, Bard Centre for Curatorial Studies, New York 2000. Black Skin-White Masks. Isaac Julien and Mark Nash about their film on Frantz Fanon. In: Die Beute, no 14, 2/97. Film-makers Dialogue with Isaac Julien, Martina Attile, Raoul Peck and Homi K. Bhabha. In: The Fact of Blackness. Ed. Alan Read, Bay Press and ICA 1996. Dialogues with Stuart Hall. With Isaac Julien. In: Stuart Hall. Critical Dialogues. Ed Morley Routledge, London 1996. Chronicles of a death foretold, (notes a propos "Les Nuits Fauves"). In: Critical Quarterly, London. Vol. 36, no 1, Spring 1994. After the Velvet Revolution: A Tour of Czechoslovak Film Institutions. In: The Independent. New York, October 1990.